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Moravian Duets
''Moravian Duets'' (in (チェコ語:Moravské dvojzpěvy)) by Antonín Dvořák is a cycle of 23 Moravian folk poetry settings for two voices with piano accompaniment, composed between 1875 and 1881. The Duets, published in three volumes, Op. 20 (B. 50), Op. 32 (B. 60 and 62), and Op. 38 (B. 69), occupy an important position among Dvořák's other works. The fifteen duets of Op. 32 are the most famous part of the cycle.〔Šourek (2004), p. X〕 Popular interest in the ''Moravian Duets'' was the starting point for subsequent works which propelled Dvořák to international fame.〔 〕
== Background ==
In the mid-1870s when Dvořák was not yet a well-known composer, he worked as a music teacher for the family of Jan Neff, a wealthy wholesale merchant.〔Šourek (2004), p. X〕〔(Dvořák worked for Neff as a piano tutor since 1873 )〕 Neff and his wife were active and enthusiastic singers. With Dvořák at the piano, they often would sing solos and duets together with their children's governess. Dvořák began to arrange the first ''Moravian Duets'' at Neff's request. He used as the source for his arrangements the collection ''"Moravian National Songs"'', compiled by František Sušil (1804–1868), the pioneer collector of Moravian folk songs. Dvořák, however, did not content himself only with the musical arrangement of the folk melodies, he began to compose entirely new music for the folk-song texts.〔Šourek (2004), p. X〕
In March 1875 Dvořák composed the first volume of ''Moravian Duets'', the ''"Three Duets for Soprano and Tenor, with Piano Accompaniment, Op. 20"''. His sponsor, Neff, was very delighted with them and he therefore asked Dvořák to compose more duets, this time for two female voices.〔Šourek (2004), p. X〕 Dvořák again agreed and, between May 17 and 21, 1876, composed the initial five songs, ''"Duets for Two Sopranos"'', which he designated in the manuscript as ''II. Cycle''. These duets were originally published separately as Op. 29, then later combined with the Op. 32 publication. The remainder of the second volume was composed between June 26 and July 13, 1876, for soprano and contralto this time, entitled ''III. Cycle, Op. 32''. A year later, in September and October 1877, Dvořák wrote another four duets, published as Op. 38. Dvořák returned to his ''Moravian Duets'' several years later in 1880, rearranging selections from Op. 32 for vocal quartet.〔(Five Duets for Female Quartet, B. 107 ) 〕 These works were given number 107 in the Burghauser catalogue. Dvořák completed his large series of duets in 1881 with a final duet, a setting of Moravian folk poetry for soprano and alto, with piano accompaniment: ''Na tej našej střeše laštověnka nese'' (Lo, a swallow winging), B. 118.〔Šourek (2004), p. XI〕
The publishing of ''Moravian Duets'' represented very important turning point in the shaping of Dvořák's career.〔Šourek (2004), p. XI〕 Arrangements for the first publication were managed by Jan Neff himself before Christmas 1876, under the title ''"Duets for Soprano and Contralto, with Piano accompaniment"''. The edition was lithographed by the firm of Emanuel Starý, Prague, and Neff gave this edition to Dvořák as a gift. The cycle was dedicated ''"to the honorable Jan Neff, Esquire, and his highly esteemed Spouse"''.〔Šourek (2004), p. XI〕 It contained the duets of Op. 29 (Nos. 1–5) and Op. 32 (Nos. 1–4, 6–8 and 10). In the autumn of the 1877 Dvořák enclosed this edition of ''Moravian Duets'' with his request for an Austrian State grant for "young, talented and poor artists". One of the members of the Adjudicating Board in Vienna, Johannes Brahms, recommended the duets for publication to his German publisher Fritz Simrock. He wrote in his letter to Simrock from 12 December 1877: ''"You will find pleasure in them as I did, and, as a publisher you will be specially delighted with their piquancy. Dvořák is undoubtedly a very talented man – and poor besides. I beg you think it over."''〔Šourek (2004), p. XI〕 Simrock published the cycle at the beginning of 1878 under the German title ''Klänge aus Mähren'', Op. 32. It is worthy to note that Simrock did not pay Dvořák a fee.〔Šourek (2004), p. XI〕 The first Simrock edition awakened such lively interest among the public, that he published the cycle again in 1880. Simrock, encouraged by the immediate success of ''Moravian Duets'', later asked Dvořák to write something with a dance-like character; his response was with the ''Slavonic Dances'', which established his international reputation.
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